2x2 Art Residency: A Common Thread
2x2 Art Residency is an international residency programme developed by the British Council and Unlimited, supporting creative exchange and collaboration between disabled artists from the UK and China.
The programme brings together artists with different cultural backgrounds, lived experiences and artistic practices, creating space for experimentation, dialogue and collaborative making. It responds to the barriers that disabled artists often face in visibility, access to resources and international exchange.
The 2025 residency took place across Scotland and Hangzhou, in collaboration with The Work Room, Magnetic North and BY ART MATTERS. Through in-person residencies, online exchange, public events and open studios, the artists explored new ways of working across language, culture, access and body difference.
The four selected artists
Clare Adam
Lesley Howard
Huang Te
Zhai Jin / Gene


Residency Timeline
Residency in Scotland
28 July – 8 August 2025
Accompanying remote and online activities
July – December 2025
Residency in Hangzhou
28 November – 5 December 2025

About the Artist

Clare ADAM
Clare is a Deaf dancer who has performed with Haley Earlam in ‘BRRR’ and ‘Love Songs’ by Company Philip Connaughton. Clare is interested in sensory performance and playful experimental ways of working, finding the potential in unique spaces. She has also worked closely with Clifftop Projects as an Arts facilitator and is part of EIF Access Committee. She also attends regular workshops around access and inclusion learning from artists such as Marc Brew.

Lesley HOWARD
Lesley is an Autistic dancer & facilitator. Lesley is a company dancer with Second Hand Dance, ‘We Touch We Play We Dance’, ‘The Sticky Dance’, a performer in ‘Strings’ by Barrowland Ballet. They are interested in durational experimental sensory work. Lesley has international experience of delivering accessibility workshops (Korea & Düsseldorf). They also worked as a Youth Arts Coordinator at Clifftop projects where they managed their youth arts programmes connecting with over 150 young people each week, managing budgets, freelancers and materials. Lesley is also a board member for Imaginate & BOP.

HUANG Te
HUANG Te is an improvisational dancer and a physical theatre creator with cerebral palsy. He is dedicated to expressing his vitality through original physical theatre, allowing audiences to witness the authentic lived experiences of disabled people. As an independent creator, Te has produced two theatre works ‘Island of Symbiosis’ and ‘The Silent Power Erupts Now’, which have been featured in festivals like the Ideal Archipelago Art Festival. In his creative process, he draws from

ZHAI Jin (Gene)
ZHAI Jin (Gene) is a wheelchair user with a physical disability, born with osteogenesis imperfecta, a rare bone disorder. He was introduced to contact improvisation and collaborative dance when attending a Symbiotic Dance workshop and gradually step into the inclusive arts. Gene is now a core member of the Mistakable Symbiotic Dance Troupe, a pioneering inclusive contemporary dance group in China. The group includes visually impaired, physically disabled, intellectually disabled, and non-disabled members, all collaborating to create performance art, and Gene personally contributed as both a choreographer and solo dancer. Gene is also a professional illustrator and comic artist, and over time, he has also channelled the aesthetic sensibility into his dance and theatre work.
Our Voices
Scotland
Residency Time
2025.07.28 - 2025.08.08
During the residency in Glasgow and Edinburgh, artists took turns leading the sessions, moving from physical exercises to improvisational dance, from game-based experiments to theatrical training, forming an open and diverse creative structure.
How does one communicate with deaf artists?
How does one ensure that wheelchair users cooperate smoothly with walking dancers?
How can attentiveness to one another be maintained in improvisation?
These questions became central to the creative process.
This collaboration is an “experiment with a high degree of mutual awareness.” Each participant was both an initiator and a listener. Through repeated probing, adjustment, and response, they gradually built trust and unspoken understanding.
